Sandipan’s Bollywood awards 2006

Well am really overwhelmed by my blog readership. I get so few comments that I was very depressed. But I guess putting a link on orkut helps. Many do read but never comment.

Anyway after a terrific dhoom 2 (sadly not many agree with me, but then I liked Tango Charlie after watching Rog, so after Vivah, dhoom 2 is just too good) here I announce the Sandipan Bollywood awards 2006.

Ok be prepared for a typical Sandipan awards, for there will be plenty of partialities. After all even Oscar and filmfare is not without favoritism. And a close second award will be awarded in some cases. There will be a special category of Razzie awards as well.

Here we go. Let me start with the BollyRazzie awards.

Worst Film: Chingaari

Worst Actor: Shahrukh Khan, He was such a great disappointment in KANK.

Worst Actress: Sushmita Sen , for chingaari. Was that a movie?

Anyway now I come to The mainstream awards.

Best Story: Goes to Nagesh Kuknoor for Dor. The story is original. That qualifies it for the award.

Best Song: Kyon aajkal neend kam khwaab zyada of “Woh Lamhe”. I just love that song. Its so easy to sing.

Best Music Director: A.R. Rahman , “Rang De Basanti”. Well there was no other movie with all good songs.

Best Singer(Male) : Atif Aslam , Tere Bin in “Bas Ek Pal”. Well the song still tops the chart, that is one reason. And the other one is that my fav heroines, Juhi n Urmila, got to feature somewhere.

Best Singer (Female): Madhushree(previously known as Sujata Bhattacharya), Tu Bin Bata in “Rang De Basanti”. There can’t be anything better. The song has such a soothing effect. Though it’s a duet, the girl still scores.

Now 2 new categories of awards. The first one is just to make my fav heroine happy, but the second one, even filmfare should start soon.

Best television interview: John Abraham in Seedhi Baat. The best part of the interview is that how quickly John adapts to the Hi-fi hindi of the host and though I guess he has a awful hindi, he manages pretty well.

Best Item Song: Bipasha Basu for Beedi in “Omkara” . Well you can say I am partial, but in this case, there is just nobody better this year. She immortalized Billo Chamanbahaar.

Lets move on to the main awards now.

Best Comedian: Arshad Warsi as Circuit in “Lage Raho Munnabhai”. Any doubts? He was just too good. He deserved it for Munnabhai MBBS also.

Best Supporting Actor: John Abraham for “Baabul”. Let’s just say that I am taking a futuristic view at the movies yet to come. Afterall Bips has to be happy.

Best Supporting Actress: Bipasha Basu as Shonali/Monali Bose in “Dhoom2”. She just looked stunning. Well I know this is not the ideal choice but then I am the judge. But yes, here are two seconds. Ayesha Takia for “Dor”.Gul Panag was the heroine but Ayesha was just too good. And Konkona Sen Sharma for “Omkara”. Nobody can beat her.

Probably the award will go to Preity for KANK, but that was Ugh.

Best Villain: Here there are 2 firsts. And no second. Saif Ali Khan as Langda Tyagi in “Omkara” and ofcourse Hrithik Roshan as Aryan in “Dhoom2”

Best Actor: Without doubt it should go to Hrithik Roshan as and in “Krishh”. The movie was top grosser of the year, and the only reason for the movie to be hit was him.

Best Actress: This was a male dominated year. Umrao Jaan was a disaster and don’t have high hoes from Baabul too. I have 2 choices, a first and a close second. The award goes to Bipasha Basu as Nishigandha Dasgupta in “Corporate”. She acted as a glam doll, a psyhic as well as a true businesswoman in the movie.

The close second best goes to Kajol as Zooni Ali Beg in “Fanaa”. She was the best part in the entire movie.

Best Director: Vishal Bharadwaj for “Omkara”. The direction was just awesome

Best Film: Now this is close call and I agree with the Oscars committee. “Rang De Basanti” is my movie of the year but a very very close, almost jointly second is “Lage Raho Munnabhai”.

So there we end the award function. Hope you liked the Special dance show by Dhoom 2 crew during the ceremony.[:)]

The Namesake (I Am Spellbound)

This is my first attempt at book reviews. And i am overtly enthralled that it is for this book.
I have read "Interpreter of Maladies" a few years back. I instantly became a fan of her writing. Though it nagged me that she always writes about this topic of divided lives of either the ABCD's or about the NRI's, there is never a boring moment unless you hate the concept through and through. So if you are not against reading this particular type of stories which u may be prompted to if u have seen too many of these east meets west kind of movies. I will never read "Mi Nathuram Godse Boltoy" just because i don't think a wrong man can brainwash my believes. But i know the book is a very good one.
Anyway coming to the point. At certain points I did feel that the book was meant for the world apart form india and the bengalis. For the non-bengali indians I felt that there is a feeling of so close, yet so far. For rest of the world, who don't know ndian culture, this surely adds another dimension to the book. Know-more-about-India sort of. But then as I went deeper into the book, this seemed less and less important.
The bengali things you need to know:
1) Mutton is at its best when cooked with potatoes.The potatoes are as cherished as the mutton itself.
2) You call the family friends not as Mr and Mrs . Surname but as Mashi and Mesho or Kaku and Kakima.
Well that's all.
Now about the book. The best part is the storyline. You never feel bored. Just when u seem to feel that this topic is now growing on me, whoosh, it is as if Jhumpa gets a invisible signal and the scenes change. Its always sweet and makes you think so much and yet never leaves you feel depressed.
The way the story deals with the untimely deaths is utterly fascinating. After each death, she doesn't concern with the mourns but the coping up, the other relevances and does not exemplify with the tremendous word power she has got. She could have made you cry, but she leaves the situtation to the reader. Instead she moves on.
She has never gone typical melodramatic. Never do you see the parents forcing something on their children, never do they say no to any change. The character of the lead lady, Ashima is so wonderfully carved. She is traditional but not to the extreme. She is modern, not to the extreme. I feel she is the best character in the story. So strong yet so vulnerable.
Another salient point in the whole story is, rather the heart of the book, the relevance to the title. The book of Nikolai Gogol. At every stage, you never feel that Nikolai Gogol is out of the book. I have not read any of his work but now I do plan to read up "The overcoat". If Jhumpa Lahiri is also a fan of this book and the author, then I would say, this is the best way one can pay tributes to someone else.
In the end, I woud just like to mention that each character in this book is so well off by themselves and so beautifully crafted, that Jhumpa Lahiri can make her entire life by writing the same book with respective angles. It felt that each character can be rewritten about so many times like pole do for Arjun, Karna and Draupadi in Mahabharat.

Basanti Hawa-Kedarnath Agarwal

Here, I put a poem by Kedarnath Agarwal, its not even out of my memory, searched form the net, so ideally i should put it here. Hindi Poems Blog This website is a wonderful collection of Hindi poems. Ideally i should just point to that webpage but i just couldn't resist the temptation of putting it in my blog! I just loved this poem. The words are so well chosen, you actually feel as if u are wind.

I would suggest, read out loud, and nonstop, if possible in one breath.

बसंती हवा

हवा हूँ, हवा मैं

बसंती हवा हूँ।

सुनो बात मेरी -

अनोखी हवा हूँ।

बड़ी बावली हूँ,

बड़ी मस्त्मौला।

नहीं कुछ फिकर है,

बड़ी ही निडर हूँ।

जिधर चाहती हूँ,

उधर घूमती हूँ,

मुसाफिर अजब हूँ।

न घर-बार मेरा,
न उद्देश्य मेरा,
न इच्छा किसी की,

न आशा किसी की,
न प्रेमी न दुश्मन,
जिधर चाहती हूँ
उधर घूमती हूँ।
हवा हूँ, हवा मैं
बसंती हवा हूँ!

जहाँ से चली मैं

जहाँ को गई मैं -

शहर, गाँव, बस्ती,

नदी, रेत, निर्जन,

हरे खेत, पोखर,

झुलाती चली मैं।

झुमाती चली मैं!

हवा हूँ, हवा मै

बसंती हवा हूँ।

चढ़ी पेड़ महुआ,
थपाथप मचाया;
गिरी धम्म से फिर,
चढ़ी आम ऊपर,
उसे भी झकोरा,
किया कान में 'कू',
उतरकर भगी मैं,
हरे खेत पहुँची -
वहाँ, गेंहुँओं में
लहर खूब मारी।

पहर दो पहर क्या,

अनेकों पहर तक

इसी में रही मैं!

खड़ी देख अलसी

लिए शीश कलसी,

मुझे खूब सूझी -

हिलाया-झुलाया

गिरी पर न कलसी!

इसी हार को पा,

हिलाई न सरसों,

झुलाई न सरसों,

हवा हूँ, हवा मैं

बसंती हवा हूँ!

मुझे देखते ही

अरहरी लजाई,
मनाया-बनाया,
न मानी, न मानी;
उसे भी न छोड़ा -
पथिक आ रहा था,
उसी पर ढकेला;

हँसी ज़ोर से मैं,
हँसी सब दिशाएँ,
हँसे लहलहाते
हरे खेत सारे,
हँसी चमचमाती
भरी धूप प्यारी;
बसंती हवा में
हँसी सृष्टि सारी!

हवा हूँ, हवा मैं

बसंती हवा हूँ!

- केदारनाथ अग्रवाल